2025
Arizti Martín, Bárbara. “The Ecology of Attention in Inga Simpson’s Where the Trees Were.” The Ethics of (In-)Attention in Contemporary Anglophone Literature, edited by Jean-Michel Ganteau and Susana Onega, Routledge, 2025, pp. 201-216. ISBN 9781032733128 (hbk); 9781032733135 (pbk); 9781003463610 (ebk). DOI: https://doi.org/10.4324/9781003463610.
Ganteau, Jean-Michel and Susana Onega. “Introduction: The Ethics of (In-)Attention in Contemporary Anglophone Literature.” The Ethics of (In-)Attention in Contemporary Anglophone Literature, edited by Jean-Michel Ganteau and Susana Onega, 2025, pp. 1-14. ISBN 9781032733128 (hbk); 9781032733135 (pbk); 9781003463610 (ebk). DOI: https://doi.org/10.4324/9781003463610.
Nadal-Ruiz, Alejandro. “From Shrouded Presence to Impactful Mentorship: Drawing Attention to the Romani Housewife in Mikey Walsh’s Gypsy Boy.” In The Ethics of (In-)Attention in Contemporary Anglophone Narrative. Jean-Michel Ganteau and Susana Onega, eds. London and New York: Routledge. 2025. ISBN: 9781032733128 (hbk) ISBN: 9781032733135 (pbk) ISBN: 9781003463610 (ebk). DOI: https://doi.org/10.4324/9781003463610.
Onega, Susana.“The thing was to make yourself invisible, she said”: Jon McGregor’s Reframing of the Norms of Perception of Working-Class Women in So Many Ways to Begin.” The Ethics of (In-)Attention in Contemporary Anglophone Literature, edited by Jean-Michel Ganteau and Susana Onega, 2025, pp. 17-38. ISBN 9781032733128 (hbk); 9781032733135 (pbk); 9781003463610 (ebk). DOI: https://doi.org/10.4324/9781003463610.
Romo-Mayor, Paula. “‘I can’t be silent or invisible any longer’: Reorienting Attention and Care in Jan Carson’s The Last Resort.” The Ethics of (In-)Attention in Contemporary Anglophone Narrative, edited by Jean-Michel Ganteau y Susana Onega, Routledge, 2025, pp. 162–181. ISBN: 9781032733128 (hbk) ISBN: 9781032733135 (pbk) ISBN: 9781003463610 (ebk). DOI: https://doi.org/10.4324/9781003463610.
2024
Arizti Martín, Bárbara. “Crises Down Under: An Approach to Values and Identity in Contemporary Australian Writing.” The Routledge Companion to Literature and Crisis, edited by Silvia Pellicer-Ortín, Chiara Battisti, and Julia Kuznetski, 2024, pp. 344-353.
Cherechés, Bianca. “Dalit Trauma: The Rhetoric of Suffering in Meena Kandasamy’s The Gypsy Goddess (2014) and Githa Hariharan’s I Have Become the Tide (2019).” Who Dalit? Why Dalit? How Dalit?: Reading Mediums of the Caste Phenomenon, edited by Amrit Mishra and Tamanna Priya, Vernon Press, 2024, pp. 106–115.
Cherechés, Bianca. “How Caste Comes into Play When Climate Changes: Re-Thinking the Environmental Paradigms.” Quality of Life and Climate Change: Impacts, Sustainable Adaptation, and Social-Ecological Resilience, edited by Kasturi Shukla, Yogesh B. Patil, Ronald C. Estoque and Pedro Antonio López de Haro, IGI Global, 2024, pp. 291–306.
Kuznetski, Julia, Chiara Battisti, and Silvia Pellicer-Ortín. “Introduction: Literature and Crises across Historical Scales.” The Routledge Companion to Literatures and Crisis, edited by Silvia Pellicer-Ortín, Julia Kuznetski, and Chiara Battisti. London and New York: Routledge, 2024, pp.1-11. ISBN 9781032424644.
Martínez-Falquina, Silvia. “Historical Reparation, Emotional Justice: The Navajo Long Walk in Evangeline Parsons Yazzie’s Her Land, Her Love.” Conflict and Colonialism in 21st Century Romantic Historical Fiction: Repairing the Past, Repurposing History, edited by Hsu-Ming Teo and Paloma Fresno-Calleja, Routledge, 2024, pp. 157-179.
Onega, Susana (capítulo de libro por invitación). “The Ethics and Value of Literature in Times of Crisis.” The Routledge Companion to Literature and Crisis, edited by Silvia Pellicer-Ortín, Chiara Battisti, and Julia Kuznetski, 2024, Ch. 2. ISBN 9781032424644 (hbk).
Pellicer-Ortín, Silvia. “Life-Writing Practices: A Way Out of Crisis?”. The Routledge Companion to Literatures and Crisis, edited by Silvia Pellicer-Ortín, Julia Kuznetski, and Chiara Battisti. London and New York: Routledge, 2024, pp. 104-115. ISBN 9781032424644.
Tekin, Burcu Gülüm. “Reading the Beatles’ Poetics: A Humanistic Approach to a Dazzling World.” Keys to the Literary Production of The Beatles and their Influence on Contemporary Literatures, edited by Nadia López-Peláez Akalay and José Ruiz Mas, UJA Editorial, 2024, pp. 121-140.
Tekin, Burcu Gülüm. “Social Borders and Contact Zones in Leland Bardwell’s Different Kinds of Love.” Transcultural Insights into Contemporary Irish Literature and Society Breaking New Ground, edited María Amor Barros-del Río, Routledge, 2024, pp. 55-69. DOI: https://doi.org/10.4324/9781003428350
2023
Aliaga-Lavrijsen, Jessica. “Trauma, Reproduction and Breeding in Catherine Brophy’s Dark Paradise.” Trauma, Memory, and Silence of the Irish Woman in Contemporary Literature: Wounds of the Body and the Soul, edited by Madalina Armie and Verónica Membrive, Routledge, 2023, pp. 31-42.
Arizti, Bárbara. “‘How bold to mix the Dreamings’: The Ethics and Poetics of Mourning in Alexis Wright’s The Swan Book.” The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2023, pp. 75–95.
Escudero-Alías, Maite. “Ungrievable Incest: Ecology and Kinship in Michael Stewart’s Ill Will.” The Poetics and Ethics of (Un-) Grievability in Contemporary Anglophone Fiction, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2023, pp. 119–135. ISBN: 978-1-032-38976-9.
Escudero-Alías, Maite. “The Institutionalization of Queer Theory: Where Has Lesbian Criticism Gone?” Is Lesbian Identity Obsolete? In Conversation with Queer and Trans Perspectives, edited by Ella Ben Hagai, Routledge, 2023. ISBN: 978-1-032-44255-6.
Ganteau, Jean-Michel, and Susana Onega. “Introduction: The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction.” The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2023, pp. 1-11.
Martínez-Falquina, Silvia. “Grounded Relationality: A Reading of Contemporary Anishinaabe Literature (Gordon Henry, Leanne Simpson, Louise Erdrich).” Indigenous Journeys, Transatlantic Perspectives: Relational Worlds in Contemporary Native American Literature, edited by Anna M. Brígido-Corachán, Michigan State University Press, 2023, pp. 1-26. DOI: https://doi.org/10.14321/jj.6695536.5
Nadal-Ruiz, Alejandro. “Instapoetry and the Transmodern Paradigm: Transnational Feminism in Nikita Gill’s Work.” Weaving Tales: Anglo-Iberian Encounters on Literatures in English, edited by Paula García-Ramírez, Beatriz Valverde Jiménez, Angélica Varandas, and Jason Whittaker, Routledge, 2023, pp. 220–233. ISBN: 9781032447681; 9781003373834. DOI: https://doi.org/10.4324/9781003373834
Onega, Susana. “Mapping Contemporary Hell: Vulnerability, Social Invisibility and, Spectral Mourning in Jon McGregor’s Even the Dogs (2010).” Representing Vulnerabilities in Contemporary Literature, edited by Miriam Fernández-Santiago and Cristina M. Gámez-Fernández, Routledge, 2023, pp. 106–119.
Onega, Susana. “Trading Relations, the Evil of Cruelty and the Ungrievability of the Other in David Mitchell’s The One Thousand Autumns of Jacob de Zoet.” The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2023, pp. 15-35.
Romo-Mayor, Paula. “Shattering the Moulds of Tradition: The Role of Women in the Transgenerational Transmission of Trauma in Rachel Seiffert’s The Walk Home.” Trauma, Memory and Silence of the Irish Woman in Contemporary Literature: Wounds of the Body and the Soul, edited by Madalina Armie and Verónica Membrive. Routledge, 2023, pp. 65–75. DOI: https://doi.org/10.4324/9781003355571-6.
Romo-Mayor, Paula. “Undermining the Hierarchy of Grief in Rachel Seiffert’s A Boy in Winter.” The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction, edited by Susana Onega and Jean-Michel Ganteau. Routledge, 2023, pp. 36–54. DOI: https://doi.org/10.4324/9781003347811-4.
Serrano Elena, Paula. “La locura como consecuencia de la vivencia de la maternidad en Canina, de Rachel Yoder.” La mujer y el texto. Nuevas propuestas críticas literarias, edited by Candón Ríos, Fernando, Nuria Torres López and Leticias de la Paz de Dios, Dykinson, 2023, pp. 172-178. ISBN 9788411707152.
Tekin, Burcu Gülüm. “Different Kinds of Love: Silenced Women in Leland Bardwell’s Short Fiction.” Wounds of the Body and the Soul: Trauma, Memory and Silence of the Irish Woman in Contemporary Literature , edited by Madalina Armie and Verónica Membrive, Routledge, 2023, pp. 43-53.
2022
Nadal-Ruiz, Alejandro. “Colour and the Expression of Creole Consciousness in Jean Rhys’s Wide Sargasso Sea.” Colors & Cultures: Interdisciplinary Explorations / Couleurs & Cultures: Explorations Interdisciplinaires, edited by Sämi Ludwig, Astrid Starck-Adler and André Karliczek, Salana, 2022, pp. 112–120.
2021
Aliaga-Lavrijsen, Jessica. “Naomi Mitchison: Una escritora del futuro.” Narrativas y voces angloamericanas y gaélicas en clave feminista, edited by Rocío Riestra, Editorial Dykinson, 2021, pp. 180–204.
Aliaga-Lavrijsen, Jessica. “Naomi Mitchison’s Solution Three or the Fear for Cultural and Biological Difference.” L’Ecosse, la difference, edited by Arnaud Fiasson, Pierre Fournier and Sabrina Juillet, Presses Universitaires de Franche Compté, 2021, pp. 233–251.
Escudero-Alías, Maite. “From Utilitarianism to Transhumanism: A Critical Approach.” Transhumanism and Posthumanism in Twenty-First Century Narrative, edited by Sonia Baelo-Allué and Mónica Calvo-Pascual, Routledge, 2021, pp. 33–47.
Martínez-Falquina, Silvia. “We Can Wade Grief: Ethics, Politics, and Relationality in Louise Erdrich’s LaRose.” Louise Erdrich’s Justice Trilogy: Cultural and Critical Contexts, edited by Connie Jacobs and Nancy J. Peterson, Michigan State UP, 2021, pp. 107–134. DOI: https://doi.org/10.14321/j.ctv1xx9n69.10.
Onega, Susana. “Vulnerability.” The Routledge Companion to Literature and Trauma, edited by Colin Davis, and Hanna Meretoja, Routledge, 2021, pp. 90–99.
Onega, Susana. “The Paradoxical Anti-Humanism of Tom McCarthy’s C: Traumatic Secrets and the Waning of Affects in the Technological Society.” Transhumanism and Posthumanism in Twenty-First Century Narrative, edited by Sonia Baelo-Allué and Mónica Calvo-Pascual, Routledge, 2021, pp. 110–125.
Onega, Susana. “Vulnerability, Empathy and the Ethics of Survival in Graham Swift’s Wish You Were Here.” The Ethics of Survival in Contemporary Literature and Culture, edited by Rudolf Freiburg and Gerd Bayer, MacMillan, 2021, pp. 167–186. DOI: https://doi.org/10.1007/978-3-030-83422-7.
Pellicer-Ortín, Silvia. “Confronting Transgenerational Memories: Gaps, Versions and Distortions in Linda Grant’s The Clothes on their Backs: A Novel.” Distortions cognitives: Formes, récits, imaginaires. Domaine anglophone, edited by Nathalie Vincent-Arnaud and Blandine Pennec, Presses Universitarires du Mirail, 2021, pp. 119–135.
2020
Aliaga-Lavrijsen, Jessica. “A Transmodern Approach to Biology in Naomi Mitchison’s Memoirs of a Spacewoman.” Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2020, pp. 213–230.
Arizti, Bárbara. “A Transmodern Approach to Post-9/11 Australia: Richard Flanagan’s The Unknown Terrorist as a Narrative of the Limit.” Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2020, pp. 86–100.
Herrero, Dolores. “Deepa Mehta’s Earth: The Figure of the Indian Muslim as the Ambiguous and Threatening ‘Other’.” Revolving around India(s): Alternative Images, Emerging Perspectives, edited by J. Ignacio Oliva-Cruz, Antonia Navarro-Tejero and Jorge Diego Sánchez, Cambridge Scholars Publishing, 2020, pp. 272–283.
Martínez-Alfaro, María Jesús. “The Broken Voice of History: Fairy Tales, Anti-Tales, and Holocaust Representation.” Contemporary Fairy-Tale Magic: Subverting Gender and Genre, edited by Lydia Brugué and Auba Llompart, Brill Rodopi, 2020, pp. 201–210. DOI: https://doi.org/10.1163/9789004418998.
Onega, Susana. “Generic Hybridity and the Function of Fairy Tales in the Configuration of the Deterritorialised Subject in Eva Figes’s Tales of Innocence and Experience.” Literatures in English: Transcending Boundaries: Migrations, Dislocations, and Literary Transformations, edited by Igor Maver, Wolfgang Zach and Astrid Flögel, Stauffenburg Verlag, 2020, pp. 299–314.
Onega, Susana. “Jeanette Winterson.” The Wiley-Blackwell Companion to Contemporary British and Irish Literature. Vol. I. Part II, edited by Richard Bradford, Madelena Gonzalez, Stephen Butler, James Ward and Kevin De Ornellas, John Wiley & Sons, 2020, pp. 395–405. DOI: https://doi.org/10.1002/9781118902264.ch38.
Onega, Susana, and Jean-Michel Ganteau. “Introduction: Transcending the Postmodern.” Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2020, pp. 1–19. DOI: https://doi.org/10.4324/9781003037583.
Pignagnoli, Virginia. “Narrative Ethics in HBO’s Big Little Lies: Reframing Motherhood.” Family in Crisis? Crossing Borders, Crossing Narratives, edited by Eva-Sabine Zehelein, Andrea Carosso and Aida Rosende, Transcript Verlag, 2020, pp. 101–109.
Royo-Grasa, Pilar. “Transnational Identity as Represented in Roanna Gonsalves’s The Permanent Resident.” Indian Diaspora and Transnatioanlism: Trends and Issues in the 21st Century, edited by Ajaya K. Sahoo and P. Venkyata Rao, Serials Publications Pvt. Ltd, 2020, pp. 261–285.
Yebra, José M. “The Changing Status of Wounded Masculinity in Colm Tóibín’s Ireland.” Revolutionary Ireland 1916-2016: Historical Facts & Social Transformations Re-assessed, edited by Constanza del Río and José Carregal, EER, 2020, pp. 149–166.
2019
Aliaga-Lavrijsen, Jessica, and José María Yebra-Pertusa. “Introduction: Transmodern Perspectives on Literature.” Transmodern Perspectives on Contemporary Literatures in English, edited by Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa, Routledge, 2019, pp. 1–17.
Aliaga-Lavrijsen, Jessica. “Greenock-Outer Space: Place and Space in Ken MacLeod’s The Human Front and Descent.” The Poetics of Space and Place in Scottish Literature, edited by Monika Szuba and Julian Wolfrey, Palgrave MacMillan, 2019, pp. 101–121. DOI: https://doi.org/10.1007/978-3-030-12645-2.
Arizti, Bárbara. “From Egology to Ecology: Elements of the Transmodern in Tim Winton’s Eyrie.” Transmodern Perspectives on Contemporary Literatures in English, edited by Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa, Routledge, 2019, pp. 157–177.
Duce, Violeta. “Adichie’s ‘The American Embassy’ and ‘Jumping Monkey Hill’: A Transmodern Response to Transmodernity.” Transmodern Perspectives on Contemporary Literatures in English, edited by Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa, Routledge, 2019, pp. 218–233.
Herrero, Dolores. “Contemporary Australian Refugee Policies and Shame as Reflected in A.S. Patric’s Black Rock, White City (2015).” Poetics and Politics of Shame in Postcolonial Literature, edited by David Attwell, Annalisa Pes and Susanna Zinato, Routledge, 2019, pp. 138–158.
Herrero, Dolores. “The Aftermath of Terrorism in the Transmodern City as Reflected in Tabish Khair’s How to Fight Islamist Terror from the Missionary Position.” Transmodern Perspectives on Contemporary Literatures in English, edited by Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa, Routledge, 2019, pp. 136–155.
Onega, Susana. “Embodied Monstrosity and Identitarian Fluidity in Jeanette Winterson’s Novels of the 1980s.” Law and the Humanities: Cultural Perspectives, edited by Chiara Battisti and Sidia Fiorato, Walter de Gruyter, 2019, pp. 387–404. DOI: https://doi.org/10.1515/9783110670226-022.
Onega, Susana. “Oulipian Games, Transpersonality and the Logic of Potentiality in David Mitchell’s Ghostwritten.” Transmodern Perspectives on Contemporary Literatures in English, edited by Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa, Routledge, 2019, pp. 50–69. DOI: https://doi.org/10.4324/9780429243639.
Onega, Susana. “Patriarchal Law and the Ethics and Aesthetics of Monstrosity in Mary Shelley’s Frankenstein.” Monsters and Monstrosity: From the Canon to the Anti-Canon. Literary and Juridical Subversions, edited by Daniela Carpi. Berlin: De Gruyter, 2019, pp. 115–130. DOI: https://doi.org/10.1515/9783110654615-007.
Pellicer-Ortín, Silvia. “Short Stories on the Move: Remapping the Diasporic Jewish and Female Self in Michelene Wandor’s False Relations (2004).” Women on the Move: Body, Memory and Femininity in Present-Day Transnational Diasporic Writing, edited by Silvia Pellicer-Ortín and Julia Tofantsuk, Routledge, 2019, pp. 237–260.
Pellicer-Ortín, Silvia, and Julia Tofantshuk. “Introduction: The Female Body and Self in the Glocal: Plights and Opportunities for Contemporary Diasporic Women.” Women on the Move: Body, Memory and Femininity in Present-Day Transnational Diasporic Writing, edited by Silvia Pellicer-Ortín and Julia Tofantsuk, Routledge, 2019, pp. 1–22.
Rodríguez Magda, Rosa María, and Jessica Aliaga-Lavrijsen, trans. “At The Crossroads of Transmodernity.” Transmodern Perspectives on Contemporary Literatures in English, edited by Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa, Routledge, 2019, pp. 21–29.
Yebra-Pertusa, José M., and Jessica Aliaga-Lavrijsen. “Some Concluding Remarks.” Transmodern Perspectives on Contemporary Literatures in English, edited by Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa, Routledge, 2019, pp. 234–244.
2018
Aliaga-Lavrijsen, Jessica. “Ken MacLeod’s Intrusion, or a Transmodern Approach to the Near Future.” Taking Stock to Look Ahead: Celebrating Forty Years of English Studies in Spain, edited by María Ferrández and Claus-Peter Neumann, Prensas Universitarias de Zaragoza, 2018, pp. 33–38.
Ganteau, Jean-Michel, and Susana Onega. “Introduction.” The Wounded Hero in Contemporary Fiction: A Paradoxical Quest, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2018, pp. 1–15. DOI: https://doi.org/10.4324/9780429505843.
Martínez-Alfaro, María Jesús. “Rewriting the Fairy Tale in Lisa Goldstein’s and Louise Murphy’s Holocaust Narratives.” Formulaicity and Creativity in Language and Literature, edited by Ian MacKenzie and Martin A. Kayman, Routledge, 2018, pp. 66–84.
Onega, Susana. “(De)Constructing Gendered and Sexual Identities in the 21st Century: Fluid Selves and Multiple Worlds in Jeanette Winterson’s The PowerBook (2000) and Lighthousekeeping (2004).” The English Novel in the 21st Century: Cultural Concerns–Literary Developments–Model Interpretations, edited by Vera Nünning and Ansgar Nünning, Wissenschaftlicher Verlag Trier, 2018, pp. 187–199.
Onega, Susana. “Learning to Love: The Paradoxical Life Quests of the Male Protagonists in Jeanette Winterson’s The Gap of Time.” The Wounded Hero in Contemporary Fiction: A Paradoxical Quest, edited by Susana Onega and Jean-Michel Ganteau, Routledge, 2018, pp. 19–41. DOI: https://doi.org/10.4324/9780429505843.